JAIPRAKASH KARDAM
Jaiprakash Kardam, Editor of Dalit
Sahitya Varshiki, published since 1999, has written over 30 books including
novels, stories, poetry, criticism and travelogues
(Published in Forward Press, September, 2012 Issue)
Forward Press.
One of most important debates
that raged in the field of Hindi Literature during the year gone by was the one
on OBC literature, initiated by Dr. Rajendra Prasad Singh. It began with his
article 'Concept of OBC literature' published in the July 2011 issue of FORWARD
Press. He advocates the need for OBC literature with the argument that “When
there can be Dalit literature, why can't there be OBC literature?” Behind his thesis
of OBC literature is the complaint or the anguish that “The doors of Hindi
Dalit Literature are open only to the writers of Scheduled Castes. The space
for OBC litterateurs in it is shrinking gradually”. Dr. Rajendra Prasad Singh
is a well-known linguist and critic. His article initiates a discussion in the
wider context of Hindi and Dalit literature. His anguish and his complaint
deserve to be pondered over. The article neither opposes Dalit literature nor does
it have a confrontationist tone. It is a discussion - pure and simple. He
believes that OBC literature and Dalit literature are complementary to one another.
Opposition to Brahmanism, establishment of an equitable society, annihilation
of feudal forces, bringing about economic equality and rebuttal of religious dogma
are the common aims that link both these literary streams. This is the cornerstone
of the discussion. The litterateurs from the Siddha and Sant literature up to
the modern age, whom Rajendra Prasad Singh has named, are all considered Dalits
by Dalit literature.
It will be hasty to say which
direction this debate on OBC literature will proceed and up to what extent.
However, it would not be out of place to mention that the structure of Dalit literature
does not stand only on the foundation of Kabir. In fact, it is based more on
Ambedkarism and includes a wide range of personalities, ranging from Buddha to
Kabir, Raidas and Jotiba Phule. Buddha is a symbol of 'Bahujanwad' and the
Dalit literature, which considers Buddhist philosophy as its foundation, is
also an advocate of 'Bahujanwad'. Barring Brahmanical and feudal forces,
everyone else is a supporter of 'Bahujanwad'. This, even Rajendra Prasad Singh
admits. Then, how can it be said that the doors of Dalit Literature are open
only to Scheduled Castes? The doors of Dalit literature are open for all
'Bahujans' but what is sad is that except Scheduled Castes, the writer of no
other caste neither calls himself a Dalit litterateur and nor wants to be
described thus. Rajendra Prasad Singh, himself a prominent proponent of Dalit
literature, enjoys a great respect among Dalit writers but even he neither
calls nor considers himself a Dalit litterateur. His comments on Dalit
literature are the comments of a writer who is a supporter of Dalits not those
of a Dalit writer. The problem with OBC writers is that they neither openly
associate themselves with Dalit literature and nor do they vocally oppose
'Savarna' literature. Rajendra Prasad Singh may be right when he says that “OBC literature has been caught between Dalit literature
and Savarna literature” but the problem lies not with the Dalit literature but
with the writers of OBC castes. They want to simultaneously ride on the twin
boats of Dalit and Savarna literature, which, alas, is not possible. They
should seriously introspect as to what they have gained by playing second
fiddle to Savarna literature. If they consider themselves Dalit and sincerely associate
themselves with Dalit literature and Dalit society, there is no reason why they
won't get adequate space and respect in Dalit literature. If they join forces
with Dalit literature with full commitment, no one can stop them from carving
out a niche for themselves as Dalit litterateurs.
Here, it would not be unjust
to mention that not only do many OBC castes consider themselves superior to the
Dalits but even resort to violence and oppression to maintain their domination.
For instance, in recent years, the Jat community of Haryana indulged in extremely
violent and barbarous behaviour with Dalits in Dulina, Gohana and Mirchpur. If
writers of Jat community - who consider themselves Dalit litterateurs - do not
write or speak against this oppression of Dalits, do not fight shoulder to
shoulder with the Dalits for their rights, do not add their voice to that of
the Dalits, then, how can they be considered Dalit writers? If a writer does
not rebuke the members of his community for oppressing the Dalits, for
trampling upon their dignity and either remains silent or goes into
hibernation, then how will the Dalits open the doors of their homes for him?
Any comment or debate on Dalit literature will remain incomplete without taking
such realities into consideration.
As far as the concept of OBC
literature is concerned, Rajendra Prasad Singh has raised a valid point but
before proceeding any further, he will have to take into consideration several
different aspects of the issue. To begin with, the naming of Dalit literature
has a long history and it has come about after a long journey. It has passed
through many stages. After wide-spread discussions and consideration of names such
as literature of equality, Parallel literature, Buddhist literature and
neo-Buddhist literature, the term Dalit literature was accepted. The discussion
on this nomenclature still continues. A section of Hindi and Marathi
litterateurs is in favour of re-naming Dalit literature as Ambedkarite
literature. But the label Dalit literature has widespread, nationwide prevalence
and acceptability. The first and foremost duty of OBC writers is to unmask the writers
and the literature which propounds, patronises and supports the values of
inequality and discrimination and to oppose them with their full might. The
stronger this opposition is, the greater will be the acceptability and identity
of their writings. There can be no objection to the OBC writers trying to
create a separate category of OBC literature. What is important is to bring it
out from the shadow and influence of Brahmanical-feudal literature and
litterateurs. Nothing can be better than OBCs and Dalits raising their common
voice against inequality, injustice, unotuchability and exploitation.
(Excerpted with permission from
the editorial of Dalit Sahitya Varshiki – 2012. Sahitya Sansthan,
B-634, DDA flats, East of Lodi Road, New Delhi- 110 093)
(Published in Forward Press, September, 2012 Issue)
Forward Press.
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